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USB
Interfejs USB (od ang. Universal Serial Bus - uniwersalna magistrala szeregowa) został powstał jako zastąpienie starych portów szeregowych i równoległych. Został stworzony przez firmy Microsoft, Intel, Compaq, IBM i DEC. Aktualnie na rynku dostępne jest wiele różniących się od siebie rodzajów USB. Jedną z najnowszych wersji USB jest USB-C. Swoim wyglądem nie różni zbytnio się od wtyczki Thunderbolt 3.
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PreSonus Quantum ES 4 - Audio Interface
PreSonus Quantum ES 4 - New generation audio interface from PreSonus, featuring MAX-HD™ preamps and low latency. Delivers crystal clear sound, Fender® collaboration, and Studio One+ software. Perfect for professional music production.Learn More -
PreSonus Quantum HD 8 - Audio Interface
PreSonus Quantum HD 8 - is an advanced 26x30 audio interface with MAX-HD™ preamps and Fender® support. It offers 32-bit/192 kHz quality, 12-month access to Studio One+, and AD/DA conversion. Features like re-amp, Auto Gain, and the Universal Control app ensure convenience and versatility. Learn More -
RCF TRK PRO2 - USB Audio Interface
The RCF TRK PRO2 is a versatile USB 2.0 audio interface with connectivity for microphones, instruments, or line-level signals. It supports 48V phantom power and Hi-Z inputs, delivering up to 24-bit, 192 kHz resolution. Connect to amps, powered monitors, or headphones. Learn More -
Focusrite Scarlett 18i16 4Gen - Audio Interface
The Focusrite Scarlett 18i16 is a professional USB-C audio interface with 18 inputs and 16 outputs. It features four 4th-gen mic preamps, Hi-Z and line inputs, ADAT, S/PDIF, MIDI, and two Air modes. With Auto Gain, Clip Safe, and independent headphone outputs, it’s ideal for studio setups and mobile production. Includes the Hitmaker Expansion and DAW software bundle.
Learn MoreRegular Price: EUR495.33
Special Price EUR471.63
Lowest price 30 days before the promotion starts: EUR471.63
Product available
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Fluid Audio SRI-2 - USB Audio Interface
Fluid Audio SRI-2 - (2 in / 2 out) USB audio interface with speakers switching and inputs for microphones, instruments, or line-level signals. It provides 48V phantom power, up to 24-bit, 192 kHz resolution, and it's compatible with all major DAW's. Learn More -
SSL 2 MKII - USB-C audio interface
The SSL 2 MKII is a USB-C audio interface with 2 mic preamps, 32-bit/192 kHz converters, and 4K circuitry for warm tones. It features 4 TRS outputs, 2 instrument inputs, 2 headphone outs, and the SSL Production Pack software. Professional SSL quality. Learn More -
Black Lion Revolution 14x16 - USB audio interface
The Black Lion Revolution 14x16 is a professional USB audio interface featuring 14 inputs, 16 outputs, and Black Lion Audio Clocking technology. Equipped with high-quality AD/DA converters and a rugged 1U design, it’s an excellent choice for music producers, sound engineers, and live technicians who value precision and detail in every sound. Revolution 14x16 is a reliable tool for professionals seeking optimal functionality and audio quality.
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Tascam Studio Bridge - 24-Track Audio Recorder / Audio/MIDI Interface
Tascam Studio Bridge is a 24-track sound recorder with USB and MIDI audio interfaces. Record without a computer or connect to a DAW. Perfect for studio and live settings, it offers audio/MIDI functionality, a metronome, and transport control. Bring out the best in analog sound. Learn More -
ESI Gigaport eX - USB Audio Interface
ESI Gigaport eX is a high-end USB 3.1 audio interface with 8 independent RCA outputs and two headphone jacks. Perfect for DJs, music producers, or 7.1 surround playback users. With 24-bit / 192 kHz resolution and DirectWIRE routing, it’s a compact and mobile solution for both Mac and Windows users – no external power needed.
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ESI UGM192 - Ultra mobile USB audio interface
ESI UGM192 is a mobile USB-C audio interface for connecting electric guitars and microphones to computers, tablets, or smartphones. It supports 24-bit / 192kHz audio, features a Hi-Z input, a mic preamp with phantom power, and a stereo output for real-time monitoring. Perfect for recording and jamming on the go.
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