Nearfield Monitors
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Behringer B1030A - Studio Monitor
Behringer B1030A - High-Resolution, Active 2-Way Reference Studio Monitor with 5.25" Kevlar Woofer
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Behringer MEDIA 40USB - Monitor Speakers
Behringer MEDIA 40USB - High-Resolution,150-Watt Bi-Amped Digital Monitor Speakers with USB Input
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Monkey Banana Gibbon 5 WH - active monitor
Monkey Banana Gibbon 5 WH - active monitor
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Monkey Banana Gibbon 4 Air White nearfield studio monitors
A pair of 4" active near-field studio monitors with bluetooth.
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Behringer K5 - Studio Monitor
The Behringer NEKKST K5 is a 100W active two-way studio monitor designed for demanding producers. Featuring a 5" glass fiber woofer and a 1" silk dome tweeter, it delivers accurate sound with a wide sweet spot. Ideal for professional studios, it includes waveguide technology and flexible input options.
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Behringer K8 - Studio Monitor
Behringer K8 - Audiophile Bi-Amped 8" Studio Monitor with Advanced Waveguide Technology
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Monkey Banana Lemur 5 RD - active studio monitor
Monkey Banana Lemur 5 RD - active studio monitor
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Behringer B1030A Pair
High-Resolution, Active 2-Way Reference Studio Monitor with 5.25" Kevlar Woofer
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Behringer MS16 - Monitor System
The BEHRINGER MS16 is a 16-watt active stereo monitor system perfect for home studios, multimedia projects, and vocal practice. Compact speakers include dual 8 W amps, 4” woofers, and 1.5” tweeters. Features include RCA, TRS, and mic inputs, as well as a headphone out with auto-mute. Magnetic shielding ensures safe use near monitors. Designed in Germany by BEHRINGER.
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Behringer C50A - active nearfield monitor Auratone
Behringer C50A is a compact 30W active studio monitor designed for professional and home listening. Featuring a 5.25" full-range driver, it offers a wide frequency response (90 Hz – 17 kHz) and precise sound control. The MDF cabinet with a piano black finish minimizes resonance, while magnetic shielding allows safe placement near computer monitors. Equipped with XLR, RCA, and 1/4" Jack inputs, as well as gain control for optimal calibration.
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