LIVE SOUND OR RECORDING
The DP4 is a perfect complement of four essential microphones for rhythm sections, sound engineers, and beyond. The pack consists of Audix’s two best-selling instrument mics: the iconic Audix D6 and three i5 dynamics in a heavy-duty carrying case. Equally useful for studio and live sound, these mics are known for their clarity, sound isolation, high SPL handling and durability. Rim mount clips are included.
Professional set of 4 instrument mics for stage or studio
May be used for a wide variety of applications such as drums, percussion, brass, guitar
cabinets and vocals
Easy to set up and position
CLOSE MIKING
The D6 for kick drum and the i5 for snare and toms are considered must haves for every drummer. The kick and snare are considered the core of any drum kit and
the foundation for every groove. If either the kick or the snare is unable to be heard, there is simply no groove and close miking insures that they will be captured in the mix. Being high SPL dynamic microphones, the D6 and i5 excel at “close miking”. This miking technique captures the attack and percussive sound of the drum. Also, by having the mic close to the source of the sound, it helps to isolate and control the sound of each drum. On toms the i5 provide a clear accurate signal and the cardiod pattern allows you to use one mic between two rack toms if inputs are at a premium.
SUPPLIED ACCESSORIES
MC1 - Nylon mic clip
DCLIP - Heavy duty mic clip provided with D & SCX Series DFLEX - All purpose percussion clamp
OPTIONAL ACCESSORIES
DVICE - Spring loaded rim mount clamp
DCLAMP - Tension rod mic clamp
STANDKD - Adjustable kick drum mic stand with telescopic boom CBL20 - 20’ XLR-XLR mic cable
CBLDR25 - 25’ right angle XLR-XLR mic cable
INCLUDES
PACKAGED SET OF 4 INSTRUMENT MICS Aluminum Road Case
3 x i5 Snare Drum / Instrument Mic
1 x D6 Kick Drum Mic
3 x MC1 Mic Clips
3 x DFLEX Mic Mounts 1 x DCLIP Mic Clip
SPECIFICATIONS
USER TIPS
D6 - Kick Drum: To position the D6, a good starting point is a few inches inside the port of the front head with the mic pointing off-center and not directly at the beater. For more attack, move the mic closer towards the beater. For more bass, pull the mic farther away from the beater.
D6 - Bass Cabs: For bass cabinets, position the mic 90 degrees to the grill cloth and 1-2 inches inside the edge of the speaker.
i5 - Snare and Toms: A good starting point is 2 inches above the rim with the mic pointing towards the center of the head. For more “rim” sound, pull the mic back closer to the rim. For more resonance and depth of field, pull the mic farther away from the head. The trick is to find the right balance between resonance and attack while still controlling bleed from the other drums.
i5 - Guitar Cabs: The i5 can be placed within 1-2 inches of the grill cover at a 90 degree angle pointing directly towards the speaker. As the mic is placed closer to the edge of the speaker, you will minimize the higher frequencies and get a warmer, fatter tone. To capture more highs, move the mic closer towards the center of the speaker.
Specifications i5
Transducer : Dynamic VLM Type B
Frequency Response : 50 Hz - 16 kHz
Polar Pattern : Cardioid
Output Impedance : 150 ohms
Sensitivity : 1.5 mV / Pa @ 1k
Maximum SPL : ≥140 dB
Off-axis rejection : ≥23 dB
Power Requirements : None
Materials / Finish : Die Cast Zinc Alloy / Black E-coat
Weight : 250 g / 8.8 oz
Specifications D6
Transducer : Dynamic VLM Type E
Frequency Response : 30 Hz - 15 kHz
Polar Pattern : Cardioid
Output Impedance : 280 ohms
Sensitivity : .8mV / Pa @ 80 Hz
Maximum SPL : ≥144 dB
Off-axis rejection : ≥20 dB
Power Requirements : None
Materials / Finish : Machined Aluminum / Black E-coat
Weight : 255 g / 9 oz