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RODE NT4 - Stereo condenser microphone + course
RODE NT4 – Stereo cendenser microphone + course
The kit contains
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RODE NT4 - Stereo condenser microphone (1 pcs.) |
EUR515.03
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Limited availability
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Product attributes
Model :
NT4,Profesjonalna obróbka wokalu
SKU :
SUP_nj1737
Warranty :
2 years
Manufacturer :
RODE
Parameters of the products in the set
Product Description
Details
Professional vocal processing - time: 02h 34m 31s, 32 parts
In this series, we present a collection of episodes presenting various methods and approaches to vocal processing, based on recordings in various styles. We begin by discussing the techniques of correction and multi-stage compression, which allows you to even out the dynamics of vocal performances and place them in the context of the arrangement. Mistakes made at this stage often make the mix sound amateurish, and the vocal "pops out of the mix" or cannot "break through" - especially in the case of dynamic musical backings.
Then we move on to discussing examples of processing in the context of the mix, because only this approach allows us to state that all treatments were carried out correctly! We start with a beautiful ballad by Funky Trip Foundation, entitled We Don't Care, proving that a few basic treatments are enough to make the vocal sound great (the films come from the series entitled The Funk Mixing Course)
In episodes, Maurizio Barusse demonstrates the process of vocal processing on the large format Carlec S2 console using external hardware effects processors. At the same time, it reveals a few secrets regarding the production of choruses, which require a different approach, in particular when it comes to correction and modulation effects (the videos are from the Mixture Course with Warsawmix).
A rap recording usually requires a slightly different approach. In fact, their processing is very similar to the methods used in the post-production of the voice-over in TV commercials. We focus on proper EQ and quite strong compression, differentiating the settings for the main part and the backing vocals (the videos are from the hip-hop mix course!).
The next example shows the process of matching and editing vocal takes from the sample library. Our work does not end with correction, compression and adding a pinch of spatial effects. In the next two videos, we show how to use automation on mailing channels to, for example, blur the vocals in the transitions or create sound stamps from fragments of the main line (the videos come from the Vocal House Masterclass course).
We do not always deal with complete vocal lines. Short phrases require a different approach and allow for interesting spatial effects. We work with Vari-mu compressor emulations and effects inspired by the iconic Lexicon devices, using convolution reverb in an unusual way (the videos come from the Brushee mix course)
The course answers many frequently asked questions, including:
- what is vocal processing?
- what frequencies should I emphasize to increase the clarity of the voice and improve presence?
- what kind of compression should be used to "sit" in the mix?
- what effects to use on vocals?
- how to get a wide, stereo sound of a vocal, the image of which remains in the center of the sound stage?
- is there a concept such as "vocal mastering";)?
- how to search for vocals in the network (on the example of the Splice platform)?
After purchasing the course, you will receive a license with a code for a 180-day subscription to view the course ONLINE.
Episode list:
1. Correction of vocal tracks and ...
2. Two-stage vocal compression
3. Processing vocals (pop / funk)
4. Reverb and tape echo on vocals ...
5. Main vocals and backing vocals (pop / rock)
6. Compression and reverb on vocals ...
7. Backing vocals (pop / rock)
8. Ready deck and multitrack recording ...
9. Development of the timbre (hip-hop)
10. Fight with sibilants (hip-hop)
11. Multistage Vocal Compression ...
12. Tape echo on vocals (hip-hop)
13. Vocals in choruses (hip-hop)
14. Splice Sounds, or how to find ...
15. Complete vocal processing (house)
16. Placement of the vocals in the mix ...
17. Editing vocal tracks (house)
18. Shipping effects (house)
19. Distorted vocals
20. Vocal tone correction (downtempo)
21. Vocal Compression (downtempo)
22. Removing sibilants using ...
23. Improving the tone of the vocal (downtempo)
24. Creating space (downtempo)
25. Sampling - vocal recording (electro)
26. Vocal Effects (electro)
27. Speakerphone and post-production ...
28. This is house music (house)
29. Soul vocal (house)
30. DELAY IN MIX - Radio delay ...
31. DELAY IN MIX - Dark delay ...
32. DELAY IN MIX - A short echo ...
- Stereo X/Y condenser microphone
- Dual externally biased 1/2” capsules with gold sputtered diaphragm
- Capsules closely matched with full frequency response
- Dual power operation
- Custom stereo cables included - 5 pin stereo XLR, Minijack (Via included cable) and dual 3-pin XLR (via included cable)
- Custom twin head windshield (WS4) included
- Includes custom twin head windshield WS4, RC4 case and 5-pin Minijack and XLR stereo cables
- Surface mount circuitry
- 10 year extended warranty when you register your microphone
The RØDE NT4 stereo microphone offers a perfect X/Y stereo array without the need for matched pair microphones, complex stereo bars and equipment. Simply place the microphone and capture a realistic stereo field using a single microphone.
Combining an acoustically matched pair of 1/2” cardioid condenser capsules fixed in a perfect 90 degree near-coincident alignment, the NT4 instantly creates a faithful stereo array that is ideal for drum overheads, percussion, choir vocals, environmental recording and sound design in a studio or in the field.
The NT4's versatility is further extended by its ability to be powered by a 9V battery, in addition to 48V phantom power. Both stereo XLR and 3.5mm minijack cables are supplied to ensure the NT4 is ready to record to mixing console, portable recorder or camera.
The RØDE NT4 microphone is designed and made in Australia, and covered by RØDE's industry leading 10 year warranty.
NT4 Specifications
| Acoustic Principle | Pressure Gradient |
| Active Electronics | JFET impedance converter with bipolar output buffer |
| Capsule | 0.50" |
| Polar Pattern | |
| Address Type | End |
| Frequency Range | 20Hz - 20kHz |
| Output Impedance | 200Ω |
| Maximum SPL | 143dB SPL (@ 1kHz, 1% THD into 1KΩ load) |
| Maximum Output Level | 13.9mV |
| Sensitivity | -38.0dB re 1 Volt/Pascal (12.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz |
| Equivalent Noise Level (A-weighted) | 16dB-A |
| Power Options | |
| Weight | 480.00gm |
| Dimensions | 231.00mmH x 61.00mmW x 33.00mmD |
| Output | |
| Warranty | 1 year with free extension to 10 years following registration |
Warranty period: 2 years
Shipment
Product delivery details RODE NT4 - Stereo condenser microphone + course
Shipment from Warsaw, Poland.
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