• Heavy duty metal body
• Internal capsule shock mount
• High level of RF rejection
• On-mic selectable high pass filter @ 80Hz-12dB/Oct (-10 and -20dB PAD)
• Heat-treated high-strength mesh head
• Battery status indicator
• 9V Battery Power, 24 or 48V Phantom Power
• Includes wind shield, mic clip and zip pouch

The RØDE M3 is a highly versatile end-address condenser microphone, designed to be completely at home in the studio, on stage or on location. It is equally suitable as an instrument microphone for guitars, drums and percussion or even vocals.

Featuring a heavy duty metal body and internally shock mounted 1/2" condenser capsule mounted for end-address, the M3 can be powered either via P48 phantom power, or an internal 9V battery.

A -10dB and -20dB level attenuator (pad), selectable from inside the battery compartment, allows recording of loud sound sources, such as a guitar amplifier or snare drum. A high-pass filter selectable on the microphone power switch introduces a filter at 80Hz to reduce low frequency sounds and handling noise.

M3 Specifications

Acoustic Principle Pressure Gradient

Active Electronics JFET impedance converter with bipolar output buffer

Capsule 0.50"

Address Type End

Frequency Range 40Hz - 20kHz(selected HPF @80Hz)

Output Impedance 200Ω

Maximum SPL 142dB SPL (@ 1kHz, 1% THD into 1KΩ load)

Maximum Output Level 9.2mV

Sensitivity -40.0dB re 1 Volt/Pascal (6.30mV @ 94 dB SPL) +/- 2 dB @ 1kHz

Equivalent Noise Level (A-weighted) 21dB-A

Weight 390.00gm

The product is included with the Professional Vocal Processing course

The course is a collection of 32 episodes with a total length of over 1.5 hours, presenting various methods and approaches to vocal processing on the example of recordings in various styles.

The course answers many frequently asked questions, including: what is vocal processing? What frequencies should be emphasized to increase the clarity of the voice and improve presentation? What kind of compression should be used to make the vocal sit in the mix? on vocals? How to get a wide, stereo sound of a vocal, the image of which remains in the middle of the sound stage? Is there a concept such as "vocal mastering"?